Tanausulord

Yo lo siento mucho pero.... he probado con el traductor de google y es una catástrofe jajaja y no me apetece nada nada nada nada nada traducir detalles de los que no me quiero enterar xDDD Por si sirve de algo, lo poco que he mirado por encima, el artículo describe (supongo) la demo, es decir, lo mísmo que hizo Hobby Consolas pero en inglés y, quizás, más detallado. Para quien le interese lo pongo xD Five days of exclusive access to Rise of the Tomb Raider: Day two Matthew Castle 1 hour ago Part 2: Survival of the Fittest Before talking about how ROTTR ups the survival stakes, there’s a silly thing you should know about Crystal Dynamics. Situated on the coast in a glass building, the studio is bathed in a blinding light, forcing its staff to cower below beach parasols. “Every new starter gets a hat or an umbrella,” says Gallagher. It’s funny that Lara’s bruising struggle is built under such mildly irritating conditions, although it could be the secret to channelling her inner turmoil. One thing’s for sure: as she emerges post-avalanche with her equipment gone, the night closing in and wolf-sized shadows in the surrounding woods, sunburn is the least of her worries. Her first job? Rebuild a base camp, the site used to save and upgrade gear. For this, Lara scavenges wood and pelts. Plants and animals don’t spit out magic XP or the nondescript ‘salvage’ used to upgrade in Tomb Raider, but offer specific materials: wood from saplings, pelt from a deer half-finished by wolves. Leaves are used to heal wounds and common resources let Lara craft special ammo, such as poison-tipped arrowheads. Gear upgrades require rarer materials, from animals that now respond to time of day. An alpha wolf only emerges at night, for example, bringing with him the hide for a nifty furred hood. You also have choice over what equipment you improve. Your first DIY bow won’t be replaced by shinier models; it has its own upgrade path, should you prefer it to the Compound Bow Lara later finds. Hughes sees this range as key to bringing improvisation to the game. “All of this adds to player choice, and there’s now a side of our survival action that starts to say, ‘How do you want to leverage the world and the tools?’” he says. “We like [survival action] to deliver the pure baseline of ‘not dying’, but also starting to become powerful in the world because of your understanding and use of it.” This really comes to the fore in combat. Previously you could get the drop on smaller groups, but when the game wanted it to kick off, it kicked off. Lara can still storm in all guns blazing, but she favours guerrilla warfare. Her first demo encounter, for example, begins not on the ground, but underwater, as a new diving ability (limited to a few seconds) lets her swim towards the bank, pull a Trinity soldier into the murk and drown him. Emerging from the pond she scampers up a tree and pounces on the guard below with a knife through the windpipe. With the remaining patrol out in the open, Lara sneaks between bushes, throwing empty beer bottles (stealth 101) to distract them. It’s not Metal Gear Solid – it’s lighter on its feet, more about using Lara’s incredible mobility to deliver on the power fantasy of striking fast and playing dirty than waiting out tedious alarm cycles. Get spotted and it simply becomes the excellent cover-based shooter you enjoyed in 2013. Stay hidden and you can continue messing with the guards: our guide throws a downed goon’s crackling radio near a bonfire and waits for his friends to investigate before heaving a fuel canister into the flames. Ka-boom. The major difference between this and the previous game is what Hughes refers to as “pro-activity” on Lara’s part. “Previously, Lara wanted to escape, so she was heading that direction [points outwards], but in this story she’s seeking to unlock the secrets of the place, so she doesn’t have to be trapped in order to confront its hostilities. That’s not to say she doesn’t get past the point of no return and can’t easily fly back to London on a whim.” While it’s sad we won’t get a level set on an EasyJet flight (a fate worse than Yamatai), that change of circumstance is a refreshing angle after the grim necessity of the reboot. One such point of no return involves a very angry bear. Having already dined on a Trinity patrol – Lara hears their screams over her radio – he takes a page out of our mum’s dinner-party playbook and ends the soirée with a posh dessert. As he gallops from the cave, our hero bounds up a nearby tree to avoid swiping claws before legging it down a forest path. What’s meant to happen is Lara reaches a tangle of tree roots and performs a nimble QTE to stab a climbing axe into its paws. What actually happens is she fumbles and sees her head gnawed off in one of those death animations that we all pretend to be too grown-up to enjoy. Striking a neat balance of scripted intensity and a freedom to enact your own escape, it’s a good taste of how Crystal Dynamics is pushing its survival ideas. Funnily enough, a pointy parasol would have probably come in handy. Maybe the staff have the right idea. You know how to survive, but what comes next? Return tomorrow for part 3...

Basicamente lo que dice Jexus aunque yo no soporto mucho a Natalia xDDD estoy convencido de que es un bicho malo jajaja no sé por qué, le veo un aura oscura detrás de esa vocecita inocente-irritante (y eso que me gustala voz de Penny de TBBT que creo que es la que la dobla). El progreso de cada capítulo se nota, por ahí ponen un poco mal el cuarto pero bueno... ya veré si es verdad o mola como hasta ahora. En cuanto a la dificultad, jugar con Barry y Natalia es más chungo que con Claire y Moira..... y la munición acaba escaseando mientras que con Claire voy siempre sobrado. La duración de las "etapas" de Claire y Barry va variando.... aunque en general las de Claire suelen ser las más cortas. El modo asalto... pues bah... para pasar el rato en lo que sale el siguiente capi y poco más. En total llevo unas 22 horas pero porque repaso los niveles buscando lo que me ha quedado pendiente xDDD no lo puedo evitar... soy un ¿completicionista? xDD recuerdo haber leido ese término en alguna parte jajajaja aunque me suena fatal. Me da rabia, por ejemplo, perder puntuación por ir con Moira y con Natalia investigando cada rincón y dejando que los otros dos (una vez que lo has desbloqueado en habilidades) vayan defendiéndose y cargándose a los bichos pero no lo puedo evitar, necesito encontrar todo lo oculto... aunque me quedan pendientes ¬¬ y no quiero verlo en videos jajajaja pero cuando me aburra y me frustre lo acabaré haciendo. Una cosa que me gusta de este Resident es que me hace apretar los botones fuerte xDDD lo que significa que me importa defenderme y no morir, cosa que en otros juegos me resbala xDD y si me matan vuelvo a empezar desde donde se guardó y ya jajajaja. Me he llevado un par de "sustos" y lo entrecomillo porque asustarme...... pues no xD pero sobresaltarme algún monstruo que aparece de golpe o que no puedo matar y avanzar o esquivar pues sí y me veo apurado xDDD y eso hace tiempo que no me sucede, la verdad. En fin, es un juego interesante y divertido, no es una obra maestra pero está bastante bien. Me habría gustado un aspecto mejor y más de nueva generación.... y ya puestos ¿qué le han hecho a Claire? sin ánimo de ofender parece un transexual en mitad del tratamiento hormonal... me parece bien que la "envejezcan" pero es que a veces no sé si veo a Claire o a Manolo.... tampoco habría querido una Barbie pero no sé, o yo tengo mala memoria o era una chica normal pero con rasgos femeninos, ni super guapa ni un cardo, una chicA, sin más. Luego sin embargo van y la convierten en un camionero transexual y putón con el traje ese de rodeo donde le sobresale medio culo... no lo entiendo.... en fin. A la espera del capi 4 que, o no ha salido aún o yo no sé buscar xDD ya me saldrá en el menú del juego xD

http://www.gamesradar.com/five-days-rise-tomb-raider/?utm_source=facebook&utm_medium=social&utm_campaign=gamesradar-owned Aún no lo leí pero lo cuelgo por si hay algo interesante ^^ Five days of exclusive access to Rise of the Tomb Raider: Day one Matthew Castle 3 hours ago A flare fizzes to life and illuminates dripping icicles that line the cave like drool-covered teeth. Its holder is not the human-shaped bruise we last saw staggering from Yamatai, but a glimpse of the raider she once was: the bright-eyed explorer with money to burn, who travels to the world’s most dangerous corners in maximum comfort. Bloodied rags are swapped for expensive climbing gear and two shiny ice axes promise swift ascent up the glistening walls. A wise investment, after her last model was dulled by all the skulls she thunked it into. Lara Croft looks ready for anything. She even has company. Fellow island survivor Jonah beckons from above with the promise of an amazing view. And he’s right: sun rays bathe a glorious mountain range, far removed from the shipwreck graveyard that served as Tomb Raider’s grim welcome mat. For a second, Lara looks to be getting a well-deserved vacation. Then along comes a sadistic holiday rep, Crystal Dynamics, to say otherwise. In an intensely filmic sequence, cutting between direct control and cinematics, Lara comes under attack from leg-hugging snow, tumbling ice shards, collapsing cliffs, a surprise storm and, for a grand finale, a full-blown avalanche. It’s the kind of out-of-the-frying-pan chain of events that so dazzled in the 2013 reboot. Bad things didn’t come in threes; they came in waves until they triggered a gruesome death animation. The game’s slogan, ‘A survivor is born’, was spot-on, but it left an odd premise to take forwards: isn’t it enough to survive? Where does a survivor go next? As Lara pulls herself from the snow, alone and stripped of her advantage, Crystal Dynamics begins to lay out its plans for the arrival of a new kind of hero: Rise of the Tomb Raider… Part 1: The Journey Begins To understand what drives Lara to the Siberian wasteland, you have to first understand what drives Crystal Dynamics. Staff namedrop great explorers – Jacques Cousteau, Edmund Hillary, Neil Armstrong – and talk of man’s desire to be first or go further. These aren’t the Saturday matinee larks of Indiana Jones. You can’t ride a magic red line round the globe and expect to make history. Lara is driven by something grander, something studio staff summarise with fellow pioneer Amelia Earhart’s bullish creedo: “Never do things others can do and will do if there are things others cannot do or will not do.” Of course, Lara has already done things others should never have to do. She has killed, seen friends die and witnessed evidence of supernatural power. For us, Tomb Raider’s descent into magic weather control jarred with its grounded survival thrust, but maybe this was deliberate. “At the beginning of the last game she’s going to find lost civilisation and artefacts and bring them back to a museum – and that makes sense to someone fresh out of university,” explains creative director Noah Hughes. “But when she glimpses what she does at the end of the story, it really does change her world.” In foiling an ancient queen’s body-transference ritual, Lara discovers proof of immortality. “It’s a possibility that the myths she thought were just stories that gestured at these ancient cultures might actually be indications of truth about humanity that have been lost to the ages,” says Hughes. “And validating this myth almost becomes an obsession. If it is, what does that mean? But she also goes into it with a sense of idealistic nobility, that she can make a difference. And that’s very different to being an archaeologist, so we see her at the beginning of this story starting to recognise that uncovering these secrets is what drives her on some level.” Alas, the world is not necessarily in-step, with the events on Yamatai covered up by a shady organisation, Trinity (hinted at in the first game for those who diligently collected all the GPS caches), and Lara’s own account discredited. Undeterred, she sets her sights on a fabled tomb said to house the soul of an immortality-granting prophet. Which explains why she’s on her way to Siberia. Specifically the Lost City of Kitezh, a sort of 13th-Century Russian Atlantis that Crystal Dynamics plucks from the history books and embellishes for its own purposes. Bad news: Trinity has booked a ticket, too. Darrell Gallagher, head of studios and, Lara aside, a lone Brit at Crystal Dynamics, sees a hero with a far greater sense of purpose. “She went into that first game not really knowing who she was or knowing her capabilities because she was so new to this,” he says. “Thrust into a journey of survival, she realised she had an inner strength that she never imagined she had. Where she once thought she was going to go and find old archaeological digs, there’s much more to it now that she’s a tomb raider – developing into that character was much broader than she imagined. It’s fulfilling her destiny.” Croft has come a long way since those early days, where her evolution was defined by polygon counts rather than psychology. It’s certainly difficult to see this Lara lounging on the front of lads’ mags. And that’s a good thing. But as important as storytelling is to Crystal Dynamics – it has again enlisted the talents of writer Rhianna Pratchett and invested in full body and facial capture technology – we’re interested in how Lara’s new situation impacts her as an actual adventurer. As Hughes describes it, Lara’s Bear Grylls act is now less of a necessity than an enabling tool. “Her understanding of myths and her intellectual brilliance allow her to decipher these ancient mysteries, but her survival skills are what allow her to penetrate these harsh and hostile landscapes.” On this last point, Hughes delivers a delicious hook: “the secrets of our world are hidden in the darkest places”. Returning Lara to her traditional stomping ground is welcome after the largely tomb-free reboot – self-contained box-pushing rooms do not a tomb make – but might it undermine that work’s attempts to define itself on its own terms? “It’s important for us to continue the arc we started with Tomb Raider 2013,” says Gallagher. “We are folding in tombs and putting an emphasis on those – which is not necessarily going back to 1996, as it’s absolutely cast through the modern lens.” What this means is taking the survival action of the earlier game, and pushing it harder and further… Has this whet your appetite for exploration? Return tomorrow for part 2...

Lara ha cambiado tanto con cada compañía.... incluso entre juego y juego, quizás se mantenía el rollo femme fatale, una 4x4 con curvas pero, reconozcámoslo, Lara estable lo que se dice estable nunca ha sido xDDD quizás por eso en la nueva entrega ha acabado en el loquero.... lo mísmo por una crisis de identidadES xDDD aunque normal.... ha pasado de rica a pobre, de fuerte a débil, ha pasado por muerta, ha pasado por delante de su madre la muerta, se ha convertido en oro y ha vuelto a la normalidad, se la han comido todo tipo de bichos.... algunos a mordisquitos y otros entera.... ¡¡pobrecica!! si es que le ha pasado de tó xD hasta se le ha manifestado una de sus personalidades y se ha puesto a hablar con ella como si de verdad la tuviera delante... doppelganger doppelganger... doppelganger mis cojo... ¡¡que estás loca del coÑo Lara!! xDDDDDD En fin, volviendo a la seriedad (qué mal me sienta escribir de madrugada, comprobado jajajaja) que ni Lara ni su biografía se han mantenido muy fieles.... de hecho si se hubieran mantenido fieles desde sus inicios habríamos jugado con Laura Cruz la decapitadora que lleva cabezas colgando como llaveros.... no es malo que Lara vaya cambiando, nosotros lo hacemos. Si los cambios son a mejor no es tan terrible hacer un sacrificio aquí y otro allá ¡¡LARA SUELTA A SAM QUE NO HABLABA DE ESO!! si es que en el fondo le tiene tirria ya xDDDD

Pero a Sam a lo mejor sí xDDDDD Mmm granizado de naranja china xD

Viendo las pelis del Disco Mundo.... xDD y leyendo las novelas de la otra Pratchett xDDD las de Lara jajajaja. No me acuerdo de cuantos libros había pelis xDDD la del color de la magia tuvo su gracia.... pero hay que verla con paciencia xD Si es un apartamento, supongo que sería rollo apartamento de estudiante-currante, un poco más lujosillo pero algo "normal", así que dudo que se pudiera hacer mucho más aparte de leer libros, poner la tele, llamar por teléfono a Winston para preguntar por la colada y abrir la nevera y ducharse jajajaja. Lo mísmo se puede abrir algún armario y ver la marca de compresas que usa Lara jajajajaja. Uy ¡¡qué recuerdos!! me acabo de acordar, hablando con compañeros de clase de Tomb Raider 2 cómo decíamos que en el siguiente (osea el 3 o puede que hablásemos ya del 4 no me acuerdo) se volería tan realista que le vendría la regla y tendríamos que usar compresas jajajajajajajajajajajaja. Bueno, en AOD había vendas y chocolatinas.... por ahí podía ir la cosa jajajaja. Al final ni en 2015 será tan realista jajajaja pero yo casi lo prefiero.... yo no podría ser mujer ni en la ficción jajajaja, soy demasiado dejado.... la llevaría toda sucia y chorreando... uy, si en TR 2013 ya fue así toda la aventura jajajajaja. En fin, desvaríos de madrugada jajajjaja, verás como me cae alguna colleja xDDDDDDDD ¿por qué me han pasado por la mente torrijas? jajaja similitud gramatical supongo, asociación de ideas errónea por las altas horas xD Y colirín colorado, chimpún. P. D. : NO, no me he metido ni fumado nada xDDD

........ Yo en facebook vi sólo la foto donde está tirado en el suelo y pensé que era un conejo gigante..... xDDDDDDDDDDDD ni se me pasó por la cabeza el oso del trailer jajajaja, me quedé con los animales de TR2013 xD Vale, tengo dos dudas.... la Lara del chaleco de nieve es Meagan ¿no? y la otra.... la ¿Lara? del vestido gris... ¿no es un tío? xDDDD Y al chico de la camisa roja (representante o azafato o lo que sea de Tomb Raider) y al Alex guapo me los llevaba para casa xDDD y por cierto se parecen jajaja, hasta pensé si eran el mísmo pero no xD

Una pequeña tontería en la página oficial de Xbox del juego ^^ Acompañado del trailer de siempre y del siguiente texto

Me encanta la diversidad de significados y uso de las palabras xDDDDDDDDDDDDD Yo espero que no hicieran el render a las corridas que ya se andan con bastantes pajas mentales.... jajajajajajajaja.

Bueno, el Pax East es del 6 al 8, osea ya xD y me han insinuado-chivado que es bastante probable que ya sí veamos gameplay <3 así que todos a estar pendientes xD

http://newswire.bamdot.com/rise-of-the-tomb-raider-at-pax-eastdont-forget/ Por lo que leo simplemente hablan de que estarán por el Pax East y habrá una cosplayer pululando... pero digo yo que alguito más habrá... aunque sea repetir por millonésima vez el trailer cgi de siempre xD